The Curse director Fyzal Boulifa on how being nominated for a BAFTA affects the daunting prospect of his first feature and why you should - and shouldn't - fall in love while making a film.
Eamonn O’Neill, writer/director of I'm Fine Thanks, on staying true to your own vision, working on a tiny budget and why his BAFTA nomination has shown him he's on the right track.
Here to Fall writer/director Evelyn McGrath on applying the lessons she's learned to working in different media and why the shift to features is looking less intimidating.
The Making of Longbird writer/director Will Anderson on juggling a BAFTA nomination with the reality of new projects and why there's never been a better time to be making your own films.
Mark Gill, writer/director on The Voorman Problem, talks about how being nominated has affected his filmmaking mindset and what happens when preparation and opportunity combine.